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Emily Henegar Finds Her Sweet Spot with Cookie in the Kitchen

Junior entrepreneurship major Emily Henegar will tell you she agrees with one of her role models, Christina Tosi of the famous bakery Milkbar, when she says she knows what she wants to do for the rest of her life – make cookies.

What started as making cookies for family movie nights as a little girl has turned into a successful, custom-decorated, high-end sugar cookie business called Cookie in the Kitchen. “My cookies are elaborate, memorable and go a step further to illustrate people’s lives on an edible art form. (And they actually taste good!)”

Now in its ninth year, Henegar’s business has grown in popularity in both her hometown of Atlanta, Georgia and now in Nashville as a Belmont student, particularly through the music scene.

“In high school I would go to concerts and shows and bring cookies to give the artists, decorated with their album covers, merchandise, fan art, etc, as a way to meet the band,” Henegar explained. “Now I’m kind of known for that, and Nashville was the perfect place to take the idea.”

Henegar decorating her sugar cookies
Henegar decorating her sugar cookies

Henegar posted photos of her cookies from various shows to her Instagram account and people noticed. She began getting orders from Triple 8 Management to create cookies for some of their clients, like Belmont alumni band Judah and the Lion. Pretty soon, she was hearing from Bridgestone Arena and being commissioned to make cookies for Travis Scott’s “Astroworld” tour and Ariana Grande’s tour.

There is not an official contract with Bridgestone, but Henegar does have the privilege of volunteering to make cookies for any show she likes, and either being paid or receiving concert tickets. “It’s kind of crazy. I asked to make cookies for the John Mayer show. I have known him and his music my whole life and it was just awesome to get to recreate some of his albums in cookie form,” she said.

There happened to be a Live Nation employee at one of the backstage parties who sampled the Cookie in the Kitchen product and ultimately ordered cookies for another event. All the buzz eventually led to a call from MTV after seeing Henegar’s custom cookies on Maggie Rogers’s Instagram story.

Shot of a recent cookie order
For a recent order, Henegar created a cookie depicting the Belmont Lawn

Henegar baked three sets of cookies for MTV, her biggest and most prominent client – one set to share for Nicki Minaj’s birthday, one for Harry Styles’s album release and one for the Top Albums of the decade, which included a cookie embodying Adele’s face for her album “21.”

Henegar laughed, “Usually I try to avoid putting faces on cookies, but there was no way around that one. I just kind of went for it.”

While Henegar says she is more of a graphic designer than a traditional painter or drawer, one look at her iced-by-hand cookie designs would suggest otherwise. As her only employee, Henegar does all photography, editing, social media, graphic design and of course, baking, for Cookie in the Kitchen. Her design communications minor comes in handy with design-related tasks for public relations and marketing for her business.

The baking is the easy part – Henegar has been doing that her whole life with her mom and her grandparents. But, her older sister had a clay figurine business (and a debit card) that she admired, which inspired her to launch Cookie in the Kitchen in the 5th grade. Her family helped her create a WordPress Blog, a logo and business cards. One day, she walked around her neighborhood offering cookie samples and asking if neighbors would like to make an order. She received 19 orders that day. Since then, Cookie in the Kitchen grew little by little through word of mouth around Atlanta.

Henegar and Dr. Bob Fisher hold up Cookie in the Kitchen Cookies
Henegar gives Belmont-themed cookies to Dr. Bob Fisher, President of Belmont University

She started with basic cookie flavors like chocolate chip, double chocolate peanut butter and lemon before honing in on sugar cookie decoration in middle school when her business began taking off.

Henegar worked with her artistic sister to learn decorating, mixed in with some trial and error, YouTube tutorials and help from a family friend with a cooking blog. But really, she picked it up on her own.

When Henegar began looking for college options, she knew she wanted to find a place in a city atmosphere, with a Christian culture and located somewhat close to home. “I was looking at entrepreneurship programs, and it happened to be that Belmont’s program was outstanding. Nashville made the most sense,” she explained. “Plus, everyone here is passionate about something, so I felt like my passion would fit really well with the Belmont community.”

She was right. She is now known around campus as “Cookie Girl,” not far from her grandfather’s nickname for her: “Cookie.” Along with her family, Henegar said her Belmont peers are some of her biggest supporters and encouragers, and most of her orders now come from Nashville through word of mouth and plenty of brags on Instagram.

A set of Henegar's Belmont-branded cookies

“I’ve been able to really build my brand and create an image for my business, which has been great. The entrepreneurship program at Belmont has given me so much useful information and has the most wonderful professors,” Henegar said. “It’s really fun for me to think about it growing into a bakery one day, too, and to think of what I hope to curate in a community. I want my name to not only be known for concert cookies, but also for being passionate and really connecting with employees and customers.”

Henegar dreams of one day having a bakery focused on hospitality and an environment of community where people can study, hang out with friends and connect, like a coffee shop-bakery hybrid. She would like to stay focused on cookies, as most bakeries only offer cookies as an add-on. Henegar said the continuously up-and-coming city of Nashville, with its vibrant coffee shop atmosphere and love for small businesses, seems like the perfect place to be.

“My success with baking for the music industry has really changed the way I think about my business and showed me that there is a really niche market here,” she explained.

Henegar Holds a freshly baked batch of cookies
Emily Henegar, Cookie in the Kitchen

As a junior, Henegar is really starting to focus on the business side of things and credits Entrepreneurship Professor Dr. Jeffrey Cornwall and Director of Belmont’s Center for Entrepreneurship Elizabeth Gortmaker with giving her great business advice and guidance. She is always developing her product, and from seeing her mom live with Celiac’s all her life, she hopes to offer safe and tasty gluten-free products, as well.

The COVID-19 pandemic hasn’t affected business for Cookie in the Kitchen as one might think. Henegar explained people are looking for creative solutions to disappointments about cancellations of in-person events and are willing to spend more on cookies because they face less expenses, not being able to throw large birthday or graduation parties.

“At a time when depressing headlines splatter the news, cookies can be a vessel for joy, creativity and belonging for bakers and customers alike,” Henegar said. “Personally, they’re not just a way for me to keep busy: they’re a part of who I am. Cookies allow me to express myself, show my love to others and they excite me for my future ahead.”

Cookie Depicting Belmont logo

Henegar is proud of her ability to be a student and successfully run her business, although sometimes that comes with pulling all-nighters to fill orders and foregoing social events to bake. But when school or life gets tough, Henegar can always rely on her delicious chocolate chip cookie recipe for comfort.

To learn more about Henegar and her business, visit cookieinthekitchen.com, follow along with her outstanding cookie designs @cookieinthekitchen on Instagram, or place an order through the form on her website cookieinthekitchen.com/order.

Belmont Graduates Receive Six Awards After Nashville Film Project

Caroline Pace and Cooper Smith, two Belmont Motion Pictures graduates, recently competed in the Nashville 48 Hour Film Project. Pace won Best Art Direction and Best Costume Design and Cooper won Best Screenplay and was nominated for Best Actor. In total, the two received 15 nominations and won six awards, including Best Directing, Best Sound Design, Best Soundtrack/Score and Best in Genre. 

The film will screen at this year’s Nashville Film Festival and is also set to compete in the global “filmapalooza” challenge. Pace and Smith drew the category soap opera/telenovela and were presented with a required line of dialogue, character and prop that had to be tied into the film. For the project, each entry was conceptualized and finished within 48 hours. The top ten films of this competition will be screened at Festival de Cannes.

‘Unity Flag’ Project Encourages Artists to Express Civil Discourse via Works Reflecting U.S. Flag, Home States

In anticipation of the Oct. 22 Presidential Debate on Belmont University’s campus, visual artists from across the United States were invited this summer to use the American flag and their home states as inspiration to create Unity Flags that promote empathy for bipartisanship. The brainchild of Belmont’s Watkins College of ArtAssistant Professor/Program Director of Fine Arts Dr. Meaghan Brady Nelson, the now completed “Unity Flag Project” is on display in the campus’ Leu Center for the Visual Arts. Since the University’s COVID-19 protocols currently restrict in person access to the gallery to Belmont students, faculty and staff, a free website—unityflagproject.com—was built to allow art lovers anywhere to enjoy the exhibit for free. 

The artists, who represent more than 30 states, were asked to create a 3 foot by 5 foot flag that demonstrates “purple empathy,” a concept indicative of the optical blending of Blue and Red coming together to engage in bipartisan civil discourse. A virtual gallery presentation featuring Nelson and other contributing artists discussing the project and selected works will be held Thursday, Oct. 8 at 5 p.m. CT—visit the Events page on belmontdebate2020.com to join the online conversation.

From Sea to Shining Sea, Unity Flag submitted by Holly Grosshans (Illinois)
From Sea to Shining Sea, Unity Flag submitted by Holly Grosshans (Illinois)

“Belmont University is recognized nationally as an exceptionally talented and creative community,” said Belmont President Dr. Bob Fisher. “As the catalyst and organizer of this exhibit, Dr. Brady Nelson exemplifies that notion while also using her skills to inspire civil discourse among her students and everyone fortunate enough to experience these works of art. This reflects a uniquely Belmont way to explore citizenship as we prepare for hosting the third and final presidential debate of 2020.” 

Dr. Brady Nelson added, “As the director of The Unity Flag Project, I had the extreme honor of unrolling each Unity Flag and viewing them first as they arrived on Belmont University’s campus. As I critically read the visual of each one, I became overwhelmed with a feeling of connection and community deeper than I have ever experienced through collaborative artmaking. It is obvious that every Unity Flag creator dedicated many hours to their design and process of making. For this I am deeply humbled and inspired as an Artist and an American. Each Unity Flag is distinctive in its visual meaning, and as a collective they help us to understand, become aware of, and sensitive to, vicariously experiencing bipartisan discourse.” 

Some examples of the artwork presented in the Unity Flag Project include:

  • Dr. Craig Wansink, Christine Hall and Kelly Jackson of the Robert Nusbaum Center at Virginia Wesleyan University collaborated on a flag that uses a lighthouse and heart images in representing their state, noting them as symbols of welcome and hope. “The United States has been a beacon of hope for so many around the world. May we remain vigilant in uniting around a vision for a more perfect union, a union in which equality and justice for all ring true.”
  • Tanya Wall and Jordan Sauer were inspired by the Wyoming State Code of Ethics in creating their flag, encouraging viewers to do their part to make the world a better place. “We believe that kindness, courage and optimism are traits we should all have in this current time and climate in order to make a positive impact on humanity.”
  • From Alaska, Vonnie Gaither uses a flag seemingly covered in confetti to express her idea: “Confetti is defined as small bits of paper, usually colored, thrown or dropped to enhance the gaiety of an event. I think of confetti as a form of celebration such as a party, a wedding, and joyful holidays when people get together as one. My flag of splattered colors represents a celebration of America, the unification of all into one.”

Dishman’s Band Sister Sadie Makes History Again, Wins IBMA Award for Entertainer of the Year

It was a historic night for bluegrass band Sister Sadie, which includes Belmont staff member Tina Adair Dishman, director of Curb College Academic Advising.

The International Bluegrass Music Association held its 31st Annual Bluegrass Music Awards, and the band was awarded one of the biggest accolades of the night, “Entertainer of the Year.” This is the first time in the show’s history that an all-female band has received this honor. Sister Sadie also won Vocal Group in the Year for the second year in a row.

“WOW is an understatement for what happened last night. I, along with the other ladies of Sister Sadie are so grateful and honored to be voted in as the 2020 IBMA Entertainer and Vocal Group of the Year! Both awards mean so much to us and our hope is to represent these categories to the best of our ability throughout this coming year,” Dishman said. “On a personal note…Singing, entertaining and making music has been my passion, heart and soul since I can remember. It’s all I’ve ever known! To be able to share my love of that with the other four ladies in Sister Sadie is icing on the cake! I never take any of these experiences for granted. I am truly blessed and grateful!”

Sister Sadie is made up of critically-acclaimed singer Dale Ann Bradley, Tina Adair, ACM winner Deanie Richardson and Gena Britt. Prior to forming the band, each member already had roots planted deep within the genre. They formed after a ‘one-night only’ performance at the Station Inn in Nashville, which later developed into Sister Sadie.

Interior Designer Michael Smith shares Insight on Design Elements for ‘White House Style’

In continuation of the “White House Style” series hosted by Libby Callaway, the second webinar premiered on October 1, entitled “Department of the Interior- Designing the White House.” The night featured special guest Michael Smith, Los Angeles based interior designer, who received the 2018 Arthur Ross Award for Excellence in the field of design. 

Smith has worked under the Obama administration where first lady, Michelle Obama, described how his work combines both the past and the present. He has published various books that are an attempt to hold onto the memory of each historical moment in the White House. Currently, with offices all over the world, Smith began working for well-known people at the mere age of 23 which he credits as his gateway into his career.

Throughout the night, Smith shared a lot of his experiences working with the Obama family and how each element of the White House during their residency was crafted to feel welcoming and comfortable for their family. Smith expressed that Lady Obama’s amiable personality is an inspiration for the design elements. “Michelle Obama takes time to connect and talk to each person she meets. She is always giving and is kind and thoughtful,” said Smith. 

Bedroom in White House designed by Michael Smith
Bedroom in White House designed by Michael Smith

Smith shared the importance of each design element is significant to the president residing in the White House. “You have to consider who made this, what is the story behind the maker and how does this relate to American culture and the American story,” expressed Smith. He shared how First Lady Obama had the ability to be creative and radiant during their administration which is why the rooms in the house embodied a warm and inviting feeling. 

The White House is a place where everyone can be represented, and Smith shared how the various design elements are an analogy of an inclusive and diverse idea of America. His approach is to design a room that tells a story of both the president and the previous leaders. “I try to be personal. The prettiest rooms are the ones that are pretty, but they’re custom to you,” said Smith. 

The night ended with a question and answer portion from students and faculty in the O’More College of Design. Smith shared his favorite elements of his design makeovers and credited his mentors in England for helping him craft his style. He encouraged students to “look at the history of the world through the history of art and decor,” as each student develops their own personal craft and style.

President Obama entertaining inside the White House
President Obama entertaining inside the White House

He also closed by urging students to vote this year and expressed the importance of having your voice heard. “Voting is such a privilege, but it’s also a duty. Our country functions best and it’s most precious when we are engaged and making an investment in our country,” Smith said.

The White House Style series can be found on its page on the Belmont Debate 2020 website.

Belmont Student Provides Songwriting Mentorship to Young Girls through Nashville Film Festival Project

Music business major Carly Moffa has been working alongside the Nashville Film Festival in order to teach young females more about the songwriting process from start to finish. Moraine Music Group, Youth Villages, Songwriters Sinclair, Shannon LaBrie and Sarah Holbrook have also partnered with the film festival in order to provide at-risk youth with a unique opportunity to write, record and film their own song. 

Moffa works with young girls from a local group home in Nashville who have experienced trauma and abuse and is able to provide a creative outlet for them through songwriting. The first meeting was conducted on Zoom where the girls were able to write the first verse and chorus independently. 

“The experience showed me the power that music has to connect and heal, even during a time when it feels like physically I am isolated from so many others,” expressed Moffa. 

In the past couple of weeks, the girls had the opportunity to record their own song socially distanced in the studio. Moffa helped the girls with songwriting, lyrics and melody throughout the project as the girls centered the song around hope and the perseverance to hold on. 

“I’m honored to be a part of this project with these girls. My intention is to show up and hold space for the girls to express themselves, however that looks. Whether it’s art or lyrics or melody or whatever. To just tell them that we hear you, we see you, you are not alone and you matter. Their voice matters,” shared Moffa. 

The song and video Moffa has been working on with the girls will premiere at Nashville Film Festival’s virtual festival on October 1-7 on their website. For more information on how to get involved, readers can visit the Youth Villages website.

Author of ‘Scandalous Witness’ Discusses Christianity and Politics

In continuation of Belmont’s “Ideas of America” programming, the University hosted Dr. Lee C. Camp, author of “Scandalous Witness” to discuss the integration of politics and Christianity. Throughout his book, he addresses the newly conceived perception of Christianity as a “bad public joke,” especially in the realm of politics. “We need to find a way to reconfigure the nature of Christian political witness,” said Camp. 

Camp stressed the need for Christians not to belittle religion to a political stance. The importance of history in both politics and Christianity is one that he emphasized as “doing the great work of God’s redemptive purposes.” Reducing the idea that Christianity is a partisan position on the right or the left is the starter in preventing a flawed claim. 

Camp discussed the importance of knowledge of Christian empire history as a way of understanding that the United States is not the ‘ultimate historical concern,’ but one that is presented to the world. “The goal is to describe what it is that we are for as Christians and what we are trying to be in the world,” shared Camp. 

Camp challenged viewers with a question, and said, “In all sorts of animosity and hostility, we are called again to ask ourselves how might we rightfully bear witness to a new rightful scandal?” He encouraged Christians to confront the oppression before our country and work to change injustice using all the resources from the biblical narrative. 

Camp ended with opening the floor to questions from Belmont’s student body and gave them a more personal insight into his book. To learn more about “Scandalous Witness” and receive more resources on politics and Christianity together, Dr. Camp just released a new online course.

Writer Dr. Rachel Martin Chronicles Life of Febb Burn, Who Wrote the Letter that Changed American History

A featured event of Belmont’s 19th annual Humanities Symposium, as well as an event from Belmont’s Debate 2020 programming lineup, “A Mother’s Advice Is Always Safest:” The Woman Who Wrote the Letter That Changed American History” was presented virtually by Dr. Rachel Louise Martin on September 30. The Symposium is organized by faculty of the College of Liberal Arts and Social Sciences.

Martin, a writer and historian who earned her doctorate in women’s and gender history, led the talk and Q&A that explored the life of Febb Burn. When the fight for ratification moved to Tennessee, many suffragettes were ready to write off the amendment. They believed there was no hope for victory in the South. Then Burn, a widowed mother in Appalachia, sent an eight-page letter to her son Representative Harry T. Burn, flipping his vote.

The message of Martin’s presentation was that world-changing reform doesn’t happen because famous people behave heroically; change occurs when thousands of ordinary people living in quiet backwaters decide to fight for the American dream.

Martin chronicled the life of Febb, or Febbie as she was called. Her son, Harry, was the youngest representative and had earned the nickname Baby Burn. Nobody was sure how he would vote on the amendment, but the morning of, he walked into the room wearing a red rose, which was an anti-suffragette symbol. During roll call vote, he stood up still wearing his red rose, but voted instead for women to have the right to vote.

The reason he changed his mind? A letter in his pocket that he had received that morning from his mother Febb. The letter was pages long and discussed the rainy weather, family news, a plea for him to write to her and a casual mention that he should vote for suffrage. That was enough.

A Mother's Advice is Always Safest

Febb told the press later on that the real reason she cared so much was because as an educated, successful woman and taxpayer, she felt it unjust that she didn’t have a hand in her country’s affairs while men around her who couldn’t read or write and didn’t pay taxes did.

Martin recommended further reading of “The Woman’s Hour” by Elaine Weiss and “Tennessee Statesman Harry T. Burn: Woman Suffrage, Free Elections and a Life of Service” by Tyler L. Boyd to get the full story on what happened that day.

Education was very important to Febbie and her family. She was educated as a schoolteacher and worked until she got married and moved to Mouse Creek, later known as Niota. She passed this love of education to her children and wanted them to use their gifts to make a difference in the world. After her husband and youngest daughter died, she moved herself and her children to a farm they named Half Burn.

She did receive some recognition for her role in the vote at that time by the League of Women voters and other journalists, but for the rest of her days, she lived quietly on the farm enjoying her time as a grandmother. When she died of heart trouble years later, she was mourned but was basically forgotten until her story resurfaced this year as Tennessee celebrated the 100th anniversary of Women’s Suffrage. Her descendants have also become interested in her story, and there is now a statue of her and Harry in Knoxville.

Martin said, “The effort to resurrect her story got me thinking about the importance of our approach to history. A history that hides more than it shows – Febb was one of many who have been forgotten as we tell the story of women’s suffrage. It means we have erased the people who didn’t fit into society’s dominant cast. If you were not white, wealthy and well-educated, you were forgotten.”

The method of approaching history by telling glorified narratives of progress means the average person gets to ignore how many people were written out of the story. Martin explained Febb’s flaws – she was most likely racist and selfishly fighting for her own rights and not the country at large. She was far from perfect, but so were all of our heroes.

“It’s important for us to wrestle with that because we have our own flaws, every bit as mired in our ways of thinking and acting as someone like Febb was,” Martin said. “We perpetuate those systems on to future generations when we tell these ‘wonderful’ histories. We need to begin acknowledging how the people we honor fell short and use them as a way of making changes moving forward.”

She continued by saying society needs to be a bit more pragmatic in its attempts at bettering the world. “We need to push each other toward less prejudice but look at it as a spectrum of growth. We need to recognize when people are growing past who they have been, even if it’s not perfect,” she said. “If the only people who changed the world are famous or the smartest or the wealthiest, it encourages us not to have to do anything and get off easy. It’s an excuse for inaction. The people who make the biggest differences are often not different from ourselves.”

Martin started her research on Febb’s story a year ago and intended to have it out in time for the centennial celebration of the 19th amendment, but she landed a book deal which put the project on hold. Find more about Martin on rachelmartinwrites.com where you can also pre-order her new book, “Hot, Hot Chicken: A Nashville Story.”

Cunningham Explores the Legacies, Impacts of Racial Injustices

As a part of both Belmont’s 19th annual Humanities Symposium and Debate 2020 Programming, the College of Liberal Arts and Social Sciences hosted David Cunningham for a conversation on the commemorative landscape of the racialized past through monuments and the stories they continue to tell today. Cunningham is professor and chair of sociology at Washington University and is a nationally recognized scholar on topics of causes and consequences of racial contention.

Cunningham began this conversation by explaining how telling the stories of contested monuments and their commemorative landscapes can enable us to think generally of how we see the world around us. Both spectacular monuments, such as the Robert E. Lee Monument in Richmond, Virginia, and modest examples, such as the small plaque honoring Mae Beth Carter at the base of a tree at the University of Mississippi, can impact their communities.

“Facing these histories with courage can take the form of these grand, spectacular reimaginings of spaces, as we see in Richmond today, but also can take the form of equally courageous, more modest efforts,” said Cunningham. He encouraged students to think in both grand ways and ways in which everyday actions can transform these conversations to think about our surroundings in the places we traverse and reside in different ways.

Cunningham shared three points on engaging legacies of racial injustice. First, Cunningham stated the social meaning of a monument shifts in relation to its surroundings. A dialogue occurs within the proximity of commemorative objects. He explained this with the campaigns that have occurred over the past five years not to remove statues, but to contextualize them. He acknowledges that it is important to recognize the existence of historical monuments but also continue to move the conversations they start forward.

Secondly, the impact of movements to address the monumental landscape differs based on how monuments are recontextualized. This further expanded his first point by providing examples of how monuments are often recontextualized and what effects can result. Erasure, entirely removing a monument, has often resulted in also removing the conversation surrounding it from public debate. Cunningham posed the question, rather than entirely removing a monument, what can be done to transform its meaning? Repositioning is another option to modify and relocate the monument to become less of a significant commemoration and more of an object of study to be critically examined.

Amplification is yet another option to recontextualize a monument. This involves keeping it in its place but contextualizing it more broadly to create a basis for a movement. An example of this is the Robert E. Lee Monument becoming an open canvas today as site of critique and further discussion. Other ways of recontextualizing contested monuments have been the addition of new art in close proximity as protest. Pieces like Kehinde Wiley’s “Rumors of War,” opposing the image of the Robert E. Lee Monument with a version featuring a young African American man, is located in the same community to provide a parallel depiction that is entirely critiquing the historical monument, attempting to get people to think differently.

Finally, the commemorative landscape should provide a means to critically engage our shared history. It is important to think of commemorative objects as dynamic, providing opportunity to engage with history in order to tell the truth in such a way that moves us forward. Cunningham emphasized the need to have an honest conversation of where we have been as we begin to think about where we are going.

Susan Neiman Discusses Her Book ‘Learning from the Germans’

As part of Belmont University’s Debate 2020 programming lineup, Susan Neiman joined the University for a discussion about racial tension in the United States and how it relates to past historical events in Germany, in a conversation moderated by Assistant Professor of Religion and the Arts Dr. David Dark. Neiman is the author of “Learning from the Germans,” a book Dark described as a “years-long labor of love.” 

The event started with Dark asking Neiman about her transition from living in the United States to moving and working in Berlin. Moving there as a Fulbright scholar in 1982, Neiman did not expect to stay more than a year in Germany. However, she was presented with a director position at the Einstein Forum in Berlin which she accepted shortly after her time as a Fulbright scholar.  

Neiman expressed that the Charleston, South Carolina massacre in 2015 was a defining moment in recognizing that America was portraying issues similar to what the Germans had been through before. She stressed that “ignorance of our history and racism is not confined to the south, but the deep south is a magnifying glass for the rest of the country.” 

Now more than ever, Neiman stressed the need for everyone to learn and educate themselves more on racial injustice. The death of George Floyd is a prominent example of how “if we don’t come to terms with and face our violent past, violence continues to move into the future.” 

The event discussed much of James Meredith’s life, an American civil rights movement figure, who single-handedly integrated the University of Mississippi. Neiman shared her interview with Meredith where she was able to learn more about his success and family life in a casual setting. She encouraged and educated students on the importance of voting by sharing Meredith’s extensive campaign to get 6,000 African American voters. 

Neiman ended the conversation discussing how the United States has and can move forward in fighting racial injustice. “All of us want something more in our lives and what we want is to leave the world a little better than we found it,” shared Neiman.

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